Aaaand I'm all caught up. Evidence below, and this time I bothered to crop a bit to see if that makes bigger visuals for you (What do you think, James?)
Past couple days, I've been feeling philosophical. I did the bottom two after a friend called this morning with some heavy medical news. Together they form a little prayer.
The open hand is ready for what is handed to it. Took the heart directly from #27 in the Loteria deck: el corazon! Guess what that thing in a jar is?
Friday, February 08, 2013
Wednesday, February 06, 2013
Fun-a-Day Week 3b
This two-a-day thing is working out. A couple more days of this and I'll be all caught up. It's been a lot of focus to keep this thing going, but the reverse is also true. Keeping this thing going is helping me focus on my intention for the year: to get to know myself well enough to be truly fond of her. So I suppose it makes sense that I am finding myself fonder and fonder of my day's work as the month has progressed. I'm so glad I'm doing this.
Tuesday, February 05, 2013
Sunday, February 03, 2013
Fun-a-Day week 2b
Well, I'm behind of course, but here are a few new things in the series:
It's interesting to see how the pieces are sort of evolving over the course of the month. I like this inkl&watercolor thing. One reason I'm behind is I attempted to add 4x4 box canvas acrylics to the works, and it threw me for a loop. Totally different rhythm, painting in acrylics. Rather than choke on finishing one piece before starting another, I decided to let the canvas be an unfinished thing & move on.
I'm still behind by about 5 pieces, dear dear, but I hope to get to another one in between bouts of iron cheffing the fridge.
It's interesting to see how the pieces are sort of evolving over the course of the month. I like this inkl&watercolor thing. One reason I'm behind is I attempted to add 4x4 box canvas acrylics to the works, and it threw me for a loop. Totally different rhythm, painting in acrylics. Rather than choke on finishing one piece before starting another, I decided to let the canvas be an unfinished thing & move on.
I'm still behind by about 5 pieces, dear dear, but I hope to get to another one in between bouts of iron cheffing the fridge.
Thursday, January 24, 2013
Fun-A-Day Week 2a
So, here's the next 3 4x4 Pieces of Me:
My tattoo, which is called "she emanates"; a thing I do to wake up my head (and its contents); and one of my shadowy subpersonalities.
I find I am combing through iconic images from past sketchbooks to find Things I Live By or things that are a part of me. Apropos of the Symbolic Modeling work I've been doing lately, I'm finding that the images that stick with me do so because they are part of the inner metaphorical landscape I use to orient me to my life. As I go through this Fun-A-Day project, I realize how the innocent doodles and follwing-my-nose art that I've done is an expression of what's going on in that inner landscape. This may occur as a big No Duh to most artists, but I haven't had a very intimate relationship to my creativity for awhile, so I am just catching on to How Art Works.
Anyway, some very pleasant a-ha's occuring to me as a result of this project. I'd share some here, but I suspect they have the snoozefest quality of excitedly sharing long rambling only-personally-significant dreams, and so you shall be spared. (I attempted to scribble something here about the relationship between windy days and a metaphorical heavy cast-iron rolling caddy for storing the extra metal cord that inhabits my spine, but I see your eyes are already glazing, so I scratched it.)
Monday, January 21, 2013
Fun-a-Day Week One
The Artclash Collective encourages Fun-A-Day projects nationwide the first month of the year; I signed up locally last year, and flaked/failed immediately. This year, my local branch got started on the 15th of the month, which gave me enough time to orient to 2013, so that it was possible for me to really sink my teeth in to the project.
Consequently, I am up & running. I decided on a 4x4" piece of me a day -- working mostly with symbols for stuff, and some phrases. The first three days, this was my output:
Consequently, I am up & running. I decided on a 4x4" piece of me a day -- working mostly with symbols for stuff, and some phrases. The first three days, this was my output:
Then, this happened:
I may include a glossary, if I find I want to say something about each panel. Or I may just blog about them here. They are mostly on bristol board, using gouache. watercolor, and pen-and-ink; there is one monotype here so far, and may be others. I have a 4x4 woodblock and 9 4x4 mini canvasses, so there may be various other formats. Stay tuned!
Thursday, January 03, 2013
A ceremony, on the occasion of the New Year
I welcomed the coming year with my best friend tonight. I've been feeling the pull toward something transcendent and ceremonial as the new year approached and spread its dewey wings. It's a tender time, before the year's wings get tucked back in and it's back to business as usual. Now's the chance to set a tone for the next dozen months, I thought, and Deez thought it was a fine idea, so I studied on what sort of ceremony.
I reached for my most recent source for acknowledging mileposts and passages, the ex-Catholic priest and poet and philosopher John O'Donohue. I spent a lot of the days leading up to New Years listening to and quoting him, scribing out blessings to people and hearing his playful oration. (I have a book of blessings he has written, called To Bless the Space Between Us.) One of the things he proposed was an exercise: write down 7 thoughts you have been living in, operating from, letting run the show. Look at them, remember them. Then write down 7 thoughts that you haven't been able to even flirt with (that's how he put it, so you see what I mean by playful) because you have been in such a deep relationship with the first 7. And imagine what life would be like if you let those thoughts, the flirty ones, come by a little more often.
That sort of thing was the right idea, but writing down 7, then writing down 7 more, AND pondering them -- well, as befits an Irishman who was a Catholic priest, that felt playful and punitive at the same time. A bit severe.
Conversely, Deez and I have been imbued with gentler thinking lately. We've most recently taken our life themes from a book by Cheri Huber called Sweet Zen, which is all about having loving compassion for our whole beautiful messy selves - and the idea here is that within each of us are a bunch of selves, or sub-personalities, that we acquired over the years and that now show up and "run the show" according to their own individual motivations. I have a weeper who uses tears to slow the world down, a fat buddha who exudes contentment, a tongue lashing viper who gives people who displease me what's coming to them, etc. You get the picture. So loving all those little buggers. The little kid who finds simple solace in sweets, TV, and harder cloth mother stuff; the smug cultural vanguard; the shy little kneesock pigtailed girl who doesn't want to get in trouble; the vindictive little snot; the class clown begging to get on stage; you know, everybody. "Awww, bless 'em." That's the idea. (And when I happen upon it, the smug cultural vanguard's best friend, smug pious bastard shows up.)
So, we like the idea of thoughts that were running the show and thoughts we'd like to invite to show up more often. But to make it nicer to ourselves, we hit upon writing down one thought we'd like to invite to vacate the driver's seat, and one flirty thought we'd like to take to dinner and dancing. And I liked the idea of finding those and writing them down here in my warm apartment, then bundling up with extra scarves gloves hats and jackets, incense, a lighter, flashlights, our ceremonial papers, and something to help pass the time -- then descending to the beach under the night sky to hear the surf and scout for meteors and burn our little thoughts and wish them good luck in their new roles.
Deez was all for it. So we thought awhile, and wrote some things down, and used the two little flashlights I got for Christmas to pick our way down the local's path to the State Beach. We found that the tide was low, the surf was booming, the stars were shimmering in the clear night before moonrise, and the beach was covered in driftwood. Huge clumps of kindling fodder here, a few stately tree trunk logs there, and an impressive knobby tangle of water-softened roots over here..... A little ways down the beach, before the row of houses started, was a driftwood shelter -- a sturdy lean-to perfect for impromptu ceremonies on a chilly night. Thanks, beach-goers.
We approached loudly, so as not to startle anyone who might be sleeping there, and, finding it empty, made it our home for the next couple hours. I lit the incense (Nag Champa with the Sai Baba seal!), we arranged ourselves, and I made a little pit in the sand. Experimentally, I laid in a short string of dried seaweed, and tried to set it on fire, but it wasn't thirsty for a starter-flame, and though we decided that might be stinky anyway, we left the string in there.
We described our sets of thoughts to each other. I'll tell you mine. I opened the driver door and invited out: The Automatic 'No' and The Obligated 'Yes.' The Automatic No responds to every invitation with 'Mmm, nahhh.' It has excuses. It's cold out I won't know anyone I don't feel like keeping a smile plastered on my face gee that's a far drive....but it does not confine its reasoning to invitations. It also responds that way to things I think of -- that I want to do! So when I let Automatic No do the driving, I don't take a long luxurious bath, I don't go to improv, I don't go to my old windswept Pacific neighborhood and enjoy a brisk walk along the bluffs, I don't get out of dodge....gee thanks Automatic No! Nervy bugger! And then! We have Obligated Yes! Smug Pious Bastard has Obligated Yes' ear, so when I am invited to, or have ideas for, Things I Should Do (and know in my heart of hearts I am not up for just now), Obligated Yes grabs the wheel and puts me in the position of making flaking out stand in for taking care of myself.
If only they conferred with me a little more often.
So then the thought I'm giving my class ring to is The Considered Response. This classy lady, when she happens upon an invitation or possible course of action, turns to me, and, like a gracious date, says "Ahh, an interesting proposal. What do you think, Bonnie, What would you like to do?" And then I can check it out with my gut, and let Automatic No or Obligated Yes weigh in (the adorable little sprites), thank them for their input, and respond with my real answer.
So once we had described our demotions and promotions to each other, we had to figure out how to set fire to them in a breeze with my mini lighter. To be extra ceremonial about it, we tried catching a flame by holding the papers up to the incense cherry, and when that yielded mere dark spots, we tried re-flaming the incense with the lighter, and when the breeze blew it out, we relented and straight up used the lighter on the papers and put them into the pit. Pleasantly, the seaweed provided realistic campfire crackling noises, and when papers turned to ash we talked awhile about relevant Big Life Stuff till the incense went out.
And then we thanked the shelter and emerged under the dome of twinkling lights, the North Star shining brightest at the very top of the dome. We watched for meteors and swore we saw a few, and made all the wishes that occurred to us without waiting for a shooting star for each one. Our ceremony, our rules! But some things are sacred. I'm not telling you my wishes.
I reached for my most recent source for acknowledging mileposts and passages, the ex-Catholic priest and poet and philosopher John O'Donohue. I spent a lot of the days leading up to New Years listening to and quoting him, scribing out blessings to people and hearing his playful oration. (I have a book of blessings he has written, called To Bless the Space Between Us.) One of the things he proposed was an exercise: write down 7 thoughts you have been living in, operating from, letting run the show. Look at them, remember them. Then write down 7 thoughts that you haven't been able to even flirt with (that's how he put it, so you see what I mean by playful) because you have been in such a deep relationship with the first 7. And imagine what life would be like if you let those thoughts, the flirty ones, come by a little more often.
That sort of thing was the right idea, but writing down 7, then writing down 7 more, AND pondering them -- well, as befits an Irishman who was a Catholic priest, that felt playful and punitive at the same time. A bit severe.
Conversely, Deez and I have been imbued with gentler thinking lately. We've most recently taken our life themes from a book by Cheri Huber called Sweet Zen, which is all about having loving compassion for our whole beautiful messy selves - and the idea here is that within each of us are a bunch of selves, or sub-personalities, that we acquired over the years and that now show up and "run the show" according to their own individual motivations. I have a weeper who uses tears to slow the world down, a fat buddha who exudes contentment, a tongue lashing viper who gives people who displease me what's coming to them, etc. You get the picture. So loving all those little buggers. The little kid who finds simple solace in sweets, TV, and harder cloth mother stuff; the smug cultural vanguard; the shy little kneesock pigtailed girl who doesn't want to get in trouble; the vindictive little snot; the class clown begging to get on stage; you know, everybody. "Awww, bless 'em." That's the idea. (And when I happen upon it, the smug cultural vanguard's best friend, smug pious bastard shows up.)
So, we like the idea of thoughts that were running the show and thoughts we'd like to invite to show up more often. But to make it nicer to ourselves, we hit upon writing down one thought we'd like to invite to vacate the driver's seat, and one flirty thought we'd like to take to dinner and dancing. And I liked the idea of finding those and writing them down here in my warm apartment, then bundling up with extra scarves gloves hats and jackets, incense, a lighter, flashlights, our ceremonial papers, and something to help pass the time -- then descending to the beach under the night sky to hear the surf and scout for meteors and burn our little thoughts and wish them good luck in their new roles.
Deez was all for it. So we thought awhile, and wrote some things down, and used the two little flashlights I got for Christmas to pick our way down the local's path to the State Beach. We found that the tide was low, the surf was booming, the stars were shimmering in the clear night before moonrise, and the beach was covered in driftwood. Huge clumps of kindling fodder here, a few stately tree trunk logs there, and an impressive knobby tangle of water-softened roots over here..... A little ways down the beach, before the row of houses started, was a driftwood shelter -- a sturdy lean-to perfect for impromptu ceremonies on a chilly night. Thanks, beach-goers.
We approached loudly, so as not to startle anyone who might be sleeping there, and, finding it empty, made it our home for the next couple hours. I lit the incense (Nag Champa with the Sai Baba seal!), we arranged ourselves, and I made a little pit in the sand. Experimentally, I laid in a short string of dried seaweed, and tried to set it on fire, but it wasn't thirsty for a starter-flame, and though we decided that might be stinky anyway, we left the string in there.
We described our sets of thoughts to each other. I'll tell you mine. I opened the driver door and invited out: The Automatic 'No' and The Obligated 'Yes.' The Automatic No responds to every invitation with 'Mmm, nahhh.' It has excuses. It's cold out I won't know anyone I don't feel like keeping a smile plastered on my face gee that's a far drive....but it does not confine its reasoning to invitations. It also responds that way to things I think of -- that I want to do! So when I let Automatic No do the driving, I don't take a long luxurious bath, I don't go to improv, I don't go to my old windswept Pacific neighborhood and enjoy a brisk walk along the bluffs, I don't get out of dodge....gee thanks Automatic No! Nervy bugger! And then! We have Obligated Yes! Smug Pious Bastard has Obligated Yes' ear, so when I am invited to, or have ideas for, Things I Should Do (and know in my heart of hearts I am not up for just now), Obligated Yes grabs the wheel and puts me in the position of making flaking out stand in for taking care of myself.
If only they conferred with me a little more often.
So then the thought I'm giving my class ring to is The Considered Response. This classy lady, when she happens upon an invitation or possible course of action, turns to me, and, like a gracious date, says "Ahh, an interesting proposal. What do you think, Bonnie, What would you like to do?" And then I can check it out with my gut, and let Automatic No or Obligated Yes weigh in (the adorable little sprites), thank them for their input, and respond with my real answer.
So once we had described our demotions and promotions to each other, we had to figure out how to set fire to them in a breeze with my mini lighter. To be extra ceremonial about it, we tried catching a flame by holding the papers up to the incense cherry, and when that yielded mere dark spots, we tried re-flaming the incense with the lighter, and when the breeze blew it out, we relented and straight up used the lighter on the papers and put them into the pit. Pleasantly, the seaweed provided realistic campfire crackling noises, and when papers turned to ash we talked awhile about relevant Big Life Stuff till the incense went out.
And then we thanked the shelter and emerged under the dome of twinkling lights, the North Star shining brightest at the very top of the dome. We watched for meteors and swore we saw a few, and made all the wishes that occurred to us without waiting for a shooting star for each one. Our ceremony, our rules! But some things are sacred. I'm not telling you my wishes.
Sunday, November 18, 2012
I made a print I like!
So there was this study about lil monkeys deprived of nurturing attention-- actually in a pretty cruel way, I'm pretty sure they were Skinner boxed for their first 2 years -- then they were given a choice between a fake-o mother made out of wire that dispensed food, and a fake-o cloth mother (also on a wire frame, so booo) who didn't offer food just something soft and not so bleak for chrissakes, and the lil deprived monkeys picked the cloth mother every time. Points for the importance of a little comfort in this world, no? It helped scientists to tell moms 'Sorry, we were wrong about that thing where we said coddling your kids is damaging, it's actually the other way round, it's ok now to touch and hug your kids. Sorry, untouched kids!'
So, yay cloth mother. But the cloth mother is still thin comfort, right? So I have been thinking about the things people turn to in our lives that are the cloth mother, like drugs and booze and sex and eating and shopping and watching shit on the internet and being at dating sites and basically anything we run to in order to run away from the Big Owies in life.
I am backing away form the lemon flip project I've been on working on less & less frequently since the winter of 2008, I'll get back to it, just following the muse here, and doing some studies toward a possible cloth mother project. Here is the first take on a cloth mother that I rilly rilly like. I thought I'd share it.
So, yay cloth mother. But the cloth mother is still thin comfort, right? So I have been thinking about the things people turn to in our lives that are the cloth mother, like drugs and booze and sex and eating and shopping and watching shit on the internet and being at dating sites and basically anything we run to in order to run away from the Big Owies in life.
I am backing away form the lemon flip project I've been on working on less & less frequently since the winter of 2008, I'll get back to it, just following the muse here, and doing some studies toward a possible cloth mother project. Here is the first take on a cloth mother that I rilly rilly like. I thought I'd share it.
Thursday, March 08, 2012
Sunday, October 23, 2011
Iron Chef: the whole fridge
It's one of those lazy days where I feel 2% like getting my act together, and 98% like padding around all day in my robe.
To integrate my conflicting parts, I am cleaning out the refrigerator by cooking some its contents into one tasty dish.
So far it seems to be going well. I had a little leftover browned sage butter from the most recent batch of orange cauli/tart apple soup in which I sauteed a thing of pre-sliced mushrooms. I boiled a cup of fresh shelling beans and added them to the pan along with a 1/2 of uncooked orzo pasta. I used the hot bean water to parboil an orange heirloom tomato which I then mashed into the pan. I had a couple cups of leftover homemade chicken veggie broth which I poured in with a spash of sherry, and let the works burble on low, covered, till the liquid thickened. I've tested shelling beans - still a little toothy - maybe I should have waited to salt & pepper the mixture. I've added a little more liquid and scooped out the flesh of a half-delicata squash I had previously roasted with lemon olive oil & thyme, so now the goopus has sweetened and thickened a little more.
I'll just leave it covered till the beans seem truly tender. Very autumn-y!
To integrate my conflicting parts, I am cleaning out the refrigerator by cooking some its contents into one tasty dish.
So far it seems to be going well. I had a little leftover browned sage butter from the most recent batch of orange cauli/tart apple soup in which I sauteed a thing of pre-sliced mushrooms. I boiled a cup of fresh shelling beans and added them to the pan along with a 1/2 of uncooked orzo pasta. I used the hot bean water to parboil an orange heirloom tomato which I then mashed into the pan. I had a couple cups of leftover homemade chicken veggie broth which I poured in with a spash of sherry, and let the works burble on low, covered, till the liquid thickened. I've tested shelling beans - still a little toothy - maybe I should have waited to salt & pepper the mixture. I've added a little more liquid and scooped out the flesh of a half-delicata squash I had previously roasted with lemon olive oil & thyme, so now the goopus has sweetened and thickened a little more.
I'll just leave it covered till the beans seem truly tender. Very autumn-y!
Friday, September 30, 2011
Saturday, September 03, 2011
Lemon Flip: 0th set
So. I got this new scanner. It used to be someone's grandma's, so it's not new new, but it's new to me, so now I can start showing off some things I've been up to (as long as they are not bigger than letter-size).
Did I tell you I've been working on a flip book of the weird lemon I found in the early 90's? I didn't? Goodness me, it's all I've been working on! Not really, but almost!
So I'm making 4 monoprints at a time of each photo in a roll of film I took while the lemon was still green-tipped and fresh, of the lemon slowly being turned in my father's hand. The light in the garage where we were standing was a little dim, and I was unused to shooting at close range, but I opened the aperture and went for it anyway. Perhaps because of minute changes in aperture from shot to shot, or perhaps because I just confused the overnight photo place developer, who can't have known what the hell he was looking at, and who may have been wildly guessing from print to print how on earth to color adjust the creepiness, the photos swing from citrus pale oranges and yellows to girly pinks and purples. I love the photos, and feel like they are a collaboration between me and the anonymous developer. I've since reprinted them teeny tiny, as a sort of flip book test, and turns out the negatives don't yield the same sequence of gorgeous color in reprints - so the original photos are a unique piece all by themselves.
The idea all along was to make a flip book from them, but I also experimented with displaying the photos in a grid like a Muybridge. I hit upon the idea of making a multi-media flip book a few years ago, supplementing the photos with same-size monoprints and, like a dash of pepper in random places in the run, an occasional reductive woodblock. So since the winter of 2008 I have slowly and steadily been making my way through the series of photos. When the print lab opens back up ion the fall, I'll complete my 12th set of images, taking me to the halfway point of the monoprint portion of the project.
So, first up, here is image #0, one of the few prints to come out more or less "true color." There is some really gorgeous back-lighting going on in this image that I tried my durndest to reproduce, not all that well. But I am proud of how loosely I laid the color down. I have struggled in subsequent images to be that painterly ("Well there's your problem right there," you say. "Stop struggling." Shut up.)
Above are the 4 monoprints I made from the photo below. Which one do you think I should select to include in the flip-book?
Did I tell you I've been working on a flip book of the weird lemon I found in the early 90's? I didn't? Goodness me, it's all I've been working on! Not really, but almost!
So I'm making 4 monoprints at a time of each photo in a roll of film I took while the lemon was still green-tipped and fresh, of the lemon slowly being turned in my father's hand. The light in the garage where we were standing was a little dim, and I was unused to shooting at close range, but I opened the aperture and went for it anyway. Perhaps because of minute changes in aperture from shot to shot, or perhaps because I just confused the overnight photo place developer, who can't have known what the hell he was looking at, and who may have been wildly guessing from print to print how on earth to color adjust the creepiness, the photos swing from citrus pale oranges and yellows to girly pinks and purples. I love the photos, and feel like they are a collaboration between me and the anonymous developer. I've since reprinted them teeny tiny, as a sort of flip book test, and turns out the negatives don't yield the same sequence of gorgeous color in reprints - so the original photos are a unique piece all by themselves.
The idea all along was to make a flip book from them, but I also experimented with displaying the photos in a grid like a Muybridge. I hit upon the idea of making a multi-media flip book a few years ago, supplementing the photos with same-size monoprints and, like a dash of pepper in random places in the run, an occasional reductive woodblock. So since the winter of 2008 I have slowly and steadily been making my way through the series of photos. When the print lab opens back up ion the fall, I'll complete my 12th set of images, taking me to the halfway point of the monoprint portion of the project.
So, first up, here is image #0, one of the few prints to come out more or less "true color." There is some really gorgeous back-lighting going on in this image that I tried my durndest to reproduce, not all that well. But I am proud of how loosely I laid the color down. I have struggled in subsequent images to be that painterly ("Well there's your problem right there," you say. "Stop struggling." Shut up.)
Above are the 4 monoprints I made from the photo below. Which one do you think I should select to include in the flip-book?
Friday, August 26, 2011
Playing Iron Chef with the fridge
Tonight's session is going pretty typically.
I've been eyeballing my basket of heirloom toms for more than a week - at this point they're saucers, so I've parboiled them and set them aside to peel. I have a big zucchini that needs tending to, so I've cut it in half and scooped out the middle bits & set the halves aside. I've minced the middle bits, a leftover half-onion, the last 5 good cloves of my garlic bulb, and some fresh minced thyme I had saved back from last weekend's project, and sauteed the mixture; I used the parboil water to cook up a little orzo pasta; I peeled the toms and saved the peels and juices (along with leftover onion bits and the garlic cloves that were too small to bother with) for veggie broth, currently coming to a boil along with the bits I had frozen till I had enough for a broth-batch.
I chopped one of the toms and let it burble down to a paste in the sautee; I've added the orzo and stirred it together to simmer briefly together; I rescued the last bit of pesto dressing from last week (which was itself leftover pesto with a little more olive oil & red wine vinegar) and tossed it over the rest of the parboiled, peeled and chopped toms - and put that in the fridge to add to salad later in the week. To snack on, I saved back a scoop for myself and added a handful of overflow roasted pumpkin seeds I had from yesterday's Esalen-style kale salad.
I used the oil clinging to the pesto dressing jar to coat the exposed surfaces of the zucchini and a little baking dish; I scooped the finished sautee into the zucchini in the big baking dish- and the leftovers of that into the little baking dish. I mixed together some breadcrumbs (which I had from a stale baguette I didn't get to while it was still fresh), salt, pepper, and the last of my grated parmesan and sprinkled that over the zucchini and the little baking dish; and set those in the oven at 375 degrees (thinking a little melted butter should have gone over the crumbs, enh).
Once the broth scraps have given up all their goodness I'll remove them from the broth and let it simmer down into a boullion so it's easier to store in the fridge. At some point the zukes are coming out the oven - I doubt I'll be hungry for them tonight, but they'll be easy eats between weekend activities or lunch on Monday.
Presently my neighbor is coming over for a homemade mojito and a little apartment complex gossip. Maybe she'll want a stuffed zucchini.
Friday, July 29, 2011
Looking with your whole body
from Richard Whittaker's interview with artist Jane Rosen on Parabola
'RW: Who sees?'
'JR: It’s a conference. It’s not a “who.” When I speak of seeing, I feel that the mind is open and in a relationship to the hands working, which opens a feeling of being more fully alive. That is what I call seeing.
More than one part of you needs to see. You can’t see with your head alone. You can’t see with your heart alone, because it’s very partial. You can’t see with your body alone because, basically, I don’t want to put down the cigarette or the cake.'
Put down the cigarette, Bonnie.
Saturday, July 23, 2011
Tony Orrico in action
Susie Bright's twitter feed tipped me off to this inventive and athletic fellow. Click the title of this post for a classic multi-color spirographesque circle.
Human Spirograph in a good groove
Hmm, wonder if I have enough endurance to try a less ambition form of this? Or how would I do something echoing this as a monoprint on plexi? Haven't been this inpsired to play with another artist's method since Andy Goldworthy's melting snowball drawings.
Friday, July 01, 2011
Lapham's Quarterly Summer Issue: Food
Hours of amusement. Click the title of this post to browse & browse. In this photo: the lovely Erika Adams of Eating Dog Press.
Labels:
Erika Adams,
food,
inspiration from Others,
Lapham's Quarterly
Monday, June 27, 2011
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